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Guns, Germs and Steel: A Short History of Everybody for the Last 13,000 Years

 


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Wrack

James Bradley's novel Wrack begins with a definition of the word "wrack". It has seven meanings and all these meanings are cleverly woven into the story. Brilliant in composition, this is a compelling story of murder, love and passion all hinged around an obsessive desire to find the wreck of a Portugese ship.

David Norfolk, archaeologist, tragically lost the woman he loved and so he buries his life in the search for the truth about De Cueva's ship which was supposed to have been wrecked on the New South Wales coastline around 1519 - two hundred years prior to Captain Cook. While on a dig, David's team unearths a body; murdered over 50 years before. The mystery of the murdered man is then connected to an old, dying man who lives nearby in a shack. Now the definition of "wrack" in all its seven deadly nuances connects up.

Set in a shack by the beach, the narrator unfolds the subversion, the revenge, the retributive punishment of the old impaired man. David listens to his tale while waiting for vital clues to the wreck. This tale is a dark tale of lust and betrayal between two men who shared the same obsession for a ship wreck and a woman. The cruel twist at the end may or may not be the redemptive moment for David but it surely has the potential.

James Bradley writes in an engaging and elegant style. He informs, reports and observes the history and characters in a clear, restrained voice and yet just below the surface there is a poetic and passionate sense of feeling. Matthew Condon describes the book as "assured" and I think this is a most apt description. The narrative is held together with great control and force from beginning to end, especially with such a difficult theme of what is real and what is ephemeral, as suggested by the image of the unconfirmed buried ship covered by the ever shifting sand dunes.

A great read on many levels.

 


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Zen and the Art of Motorcycle Maintenance

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Hours, The

I REALLY wanted to enjoy this book as much as I had his others. There were pages and even chapters that were up to Cunningham's usual standard; (those featuring Virginia Woolfe were a brilliant, chilling & lyrical account of a woman on the precipice of madness). Too often though, his prose seemed clogged and pedantic; as if he was trying too hard to dazzle himself and the reader with the intricacy of his sentence structure. An example of this: (Page 114- about Vanessa Woolfe) "She is a distinctly earthly and even decorative figure, all billows and scrolls, her face and body rendered in an affectionate, slightly sentimentalised attempt to depict a state of human abundance so lavish it edges over into the ethereal..." ?????? Methinks he tried too hard. I am glad that his writing is being given the wider audience it deserves, but if you really want to read him at his best- try 'Flesh and Blood' or 'A Home at the End of the World'.
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allmenarebastards.com

For a neurosis-free, tequila-fortified take on love, forgiveness, and getting a life in cyber-age, read this fast paced entertaining book.

 


American Pastoral

 


Thousand Acres, A

 


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